THE ORESTEIA of AESCHYLUS (5th C BCE Athens)
Before the royal palace at Argos. On the roof, a Watchman is seen outlined against a night sky.
[...]
*** We'll read from p.62: "Kassandra: The seer Apollo endowed me with this skill." to Klytaemnestra's final entrance. ***
AT ANCIENT GREECE
*Origins of Western Drama:
One of may --> Ritualism theory: Religious rituals (mediate between the human and the supernatural) eventually birth Drama. (For more see CRASH COURSE. Episode 1:___)
* 6th C. BCE: Rituals celebrating Dionysus spread through Greece. One of these most popular:**DITHYRAMBS** ---> eventually, a singer started acting out individual characters: **THESPIS** (who used masks to differentiate the characters).
*TRAGEDY_derives from the Greek words for GOAT and SONG (might refer to the animal sacrifices that were made during the festivals).
*Theatre gets institutionalized in late 6th C. BCE.
* 5th BCE: Spring Festival. Athens became City Dionysia with a theatre competition (Reaffirming Athens as a source of pride and power).
*Audience included women and slaves but only men could perform or vote for best play.
*Contest btw 3 playwrights who had to submit TETRALOGY (3 linked tragedies and a satyr play) + 486 BCE Comedy competition was added.
*THE CHOREGOS_producer
*PLAYWRIGHT_director, composer, and set designer. Sometimes actor :)
*2 or 3 actors played all the roles.
*DEUS EX MACHINA
*We've lost the music but have painted vases that suggest what prod. may have looked.
>>
SATYRS and COMEDY
*Satyrs plays came at the end of each tragic trilogy.
*Feature the Chorus dressed as Satyrs.
*Only one Satyrs play survived "The Cyclops" by Euripides (Based on the Odyssey)
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*486 C. BCE: Second contest for Comedy was established with 5 competitors each year.
*KOMOIDIA: Party song.
*The Leanaea: Winter Festival for Athenians only.
*PARABASIS_ Speech in which the chorus addresses the audience directly.
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Parabasis @"The Birds," Aristophanes >>
OTHER POSSIBLE LENSES to reshape THEATRE HISTORY:
Chaudhuri, Una. "The Stage Lives of Animals: Zooesis and Performance." New York: Routledge, 2016.
@HUNTER LIBRARY >>
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WTH 1 // FEB 23 ::: Aeschylus, "Agamemnon"
+ Case, Sue-Ellen. “Classic Drag”
>>
-> Free Write >>
>>
La niña, el muro y la grieta.
ZAPATISTAS
MURO
GRIETAS
QUIEN CREE QUE SABE
LA OTRA, EL OTRO, LE OTROA
LOS TERCIOS
LOS ALGUIENES